But, if some day I might hear a solo beautifully played and would hear the soloist say afterward 'Your book helped me do that,' I would feel repaid for my effort a hundred times over” - Philip Farkas, The Art of French Horn Playing See also “It is my desire to create such a book, containing not only the findings of my own years of experience, but that of my teachers, which prompts me to write so complex a subject as horn playing. He continued to practice his horn every day until his death on Decemat the age of 78. He made a big impact in the world of music, as well as to many lives along the way. His first book, The Art of French Horn Playing, is nicknamed the bible of horn players.įarkas was known to have a kind, cheery personality, and was very much a perfectionist. He published four best-selling books to help French horn players, brass players, and all musicians improve in the art. He is very well known for designing the top-selling Holton-Farkas horn made by the Frank Holton Company as well as a large selection of mouthpieces. He received a doctorate in music, presented by Eastern Michigan University in April 1978. Farkas founded a publishing company Wind Music Inc… He also partnered with Chicago trumpeter Renold Schilke in the founding of Schilke Music Products and as consultants to the musical instrument division of Yamaha. His notable pupils included Douglas Hill and Paul Marcotte.įarkas also held many clinics and performed as a soloist nationwide. Farkas was also a music Professor he taught at Indiana University, Northwestern University, Cleveland Institute, Kansas City Conservatory, De Paul University, and Roosevelt University. He played first chair in the Chicago Symphony, Boston, and Cleveland orchestras as well, being the only horn ever offered the solo horn positions in these three major orchestras and the youngest principal player in the Chicago Symphony Orchestra.
#The art of french horn playing excerpt professional#
While still in high school, he became the youngest member of the All-Chicago High School Orchestra, first horn player in the Chicago Civic Orchestra, and first horn in the Kansas City Philharmonic this was his first professional job as a horn player. Soon after, Farkas and his father went to downtown Chicago and rented a Schmidt horn for three dollars a month.Īfter playing his horn for a while he fell in love with it and decided to pursue a profession as a horn player. Farkas asked him what instrument would be more convenient and the conductor pointed to a horn case belonging to a band that was on the street. His parents thought it would be best if he played a wind instrument in band, but the school only had a bass drum and a tuba available at the moment, so Farkas chose the tuba.įarkas had to take a street car to school, and because of the tuba’s size, the conductor began to complain that it took up too much room. Around the age of fourteen he started to develop asthma. He sought tutoring from a neighbor who played the trumpet, and soon became very good. Around the age of twelve his Boy Scout troop needed a bugler, so Farkas volunteered for the job. (March 5th is known by many as the Horn Duumvirate Date, as it was the birth date of both Farkas and Barry Tuckwell, two great horn players of the 20th century.) While his parents were ignorant about music, his mother encouraged him to take piano lessons this was Farkas’ first introduction to music. On March 5, 1914, Farkas was born in Chicago to Anna Cassidy Farkas and Emil Nelson Farkas.
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